Samuel Llano is a Lecturer in Spanish Cultural Studies at the University of Manchester. He specializes in the music and sound cultures of Spain from a transcultural perspective. He is the author of Whose Spain?:
\n\nNegotiating “Spanish Music” in Paris, 1908-1929 (OUP, 2012), winner of the Robert M. Stevenson Award of the American Musicological Society; and Discordant Notes: Marginality and Social Control in Madrid, 1850-1930 (OUP, 2018). He has co-edited (with Alison Sinclair) a special issue of the Bulletin of Spanish Cultural Studies titled “Heroes of Wrongdoing:
\n\nBandits, Rebels and Outsiders” (2017), and a collection of essays titled Writing Wrongdoing in Spain, 1800-1936 (Boydell & Brewer, 2017), both emerging from the AHRC-funded project “Wrongdoing in Spain, 1800-1936:
\n\nRealities Representations, Reactions,” in which he was a Research Associate. Llano is currently co-editing (with Tom Whittaker) a special issue of the Journal of Spanish Cultural Studies titled “Sound Cultures of Spain.” His articles have appeared in the Journal of the Royal Musical Association, the Journal of Spanish Cultural Studies, and the Bulletin of Spanish Studies. From September 2018, Llano is Senior Researcher in the ERC-funded project “Past and Present Musical Encounters across the Strait of Gibraltar,” in which Matthew Machin-Autenrieth is Principal Investigator.
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw4qrk0"]},"dataItem-jldjjoef":{"type":"Image","id":"dataItem-jldjjoef","metaData":{"isPreset":false,"schemaVersion":"2.0","isHidden":false},"title":"","uri":"db6ed2_6056ed937a1040ee9865184a8bbb0059~mv2.png","description":"","width":197,"height":299,"alt":"Samuel_Llano_draft.PNG","name":"Samuel_Llano_draft.PNG"},"dataItem-jldjk9lz":{"type":"StyledText","id":"dataItem-jldjk9lz","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Dr. Vanessa Paloma Duncan-Elbaz has a Ph.D. from the Sorbonne’s Center for Middle Eastern and Mediterranean Studies of the National Institute for Oriental Languages and Civilization. Her dissertation ‘Contemporary Jewish Women’s Songs from Northern Morocco: Core Role and Function of a Forgotten Repertoire’, which received ‘félicitations du jury’, was nominated for the best dissertation of the year in 2018. She is an alumna of the Early Music Institute at Indiana University’s School of Music (MM) and Oklahoma Baptist University/Universidad de los Andes (BM Magna Cum Laude). Vanessa has held various research fellowships, including a Senior Fulbright Research Scholar to Morocco (2007-2008), Research Associate of the Hadassah Brandeis Institute of Brandeis University (2009-2016) and Research Fellow of the Tangier American Legation Institute for Moroccan Studies (2015-2018). In 2014, she founded KHOYA: Jewish Morocco Sound Archive to collect, digitize, classify, and analyze contemporary and historical sound recording of Moroccan Jews. Her publications focus on identity transmission, and the use of music and language in interactions between Moroccan Jews and the majority culture. Her research has been supported by the American Institute for Maghrib Studies, Maurice Amado Foundation, Righteous Persons Foundation, and California Council for the Humanities amongst others. Vanessa is active musician, having performed in various festivals around the world and has frequently appeared on radio and television, including PBS, France24 and Al Jazeera International.
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":[]},"dataItem-jldjux2c":{"type":"StyledText","id":"dataItem-jldjux2c","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Matthew Machin-Autenrieth is a Senior Research Associate at the Faculty of Music, University of Cambridge and the Principal Investigator for the European Research Council-funded project ‘Past and Present Musical Encounters across the Strait of Gibraltar’ (2018–23). Matthew completed his Masters and PhD in Ethnomusicology at Cardiff University. Following his studies, Matthew was appointed as a Leverhulme Early Career Fellow at the University of Cambridge (2014–17). He has taught ethnomusicology at both undergraduate and postgraduate levels at the University of Cambridge, Cardiff University and the University of Plymouth. Matthew’s research spans three main areas: the relationship between music and regional identity in nation states; heritage studies; and music, diaspora and postcolonial studies. He is the author of the monograph Flamenco, Regionalism and Musical Heritage in Southern Spain (Routledge, 2017), as well as a number of articles relating to flamenco, regional identity politics and Moroccan immigration. Matthew is a Bye-Fellow at Selwyn College (Cambridge), Affiliated Researcher of the Woolf Institute and a conference co-liasion officer for the British Forum for Ethnomusicology.
\n\n
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw4q5wk"]},"dataItem-jldk7hg5":{"type":"Image","id":"dataItem-jldk7hg5","metaData":{"isPreset":false,"schemaVersion":"2.0","isHidden":false},"title":"","uri":"db6ed2_83758dbb1dc94d8f8518d6b94884b7ce~mv2.png","description":"","width":184,"height":247,"alt":"Matthew_Machin_draft.PNG","name":"Matthew_Machin_draft.PNG"},"dataItem-jldk7z34":{"type":"StyledText","id":"dataItem-jldk7z34","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Stephen Wilford is a Research Associate at the Faculty of Music, University of Cambridge and is part of the team working on the European Research Council-funded project ‘Past and Present Musical Encounters across the Strait of Gibraltar’. He studied at the University of Aberdeen, Leeds College of Music, and Goldsmiths, University of London, before completing his AHRC-funded PhD at City, University of London, with a thesis focussing upon music-making among the Algerian diaspora community of London. He has taught at City, University of London, the University of Southampton and Goldsmiths, University of London.
\n\n\n\n
Stephen’s work focuses upon North African musics, particularly those of Algeria, and spans a range of traditional and contemporary styles. He has a strong interest in the Arab-Andalusi traditions of Algeria, in both colonial and postcolonial contexts. His research is concerned with ideas of collective identity, cultural memory, diaspora and transnational flows of music. He is particularly interested in the role of technologies in the production and circulation of music among composers, performers and listeners, and the connections that these form between North Africa and Europe. His current research is formed of three strands: the role of music in colonial and postcolonial Algeria, with a focus upon the dialogues between Arab-Andalusi and Western Art musics; the practices of contemporary Arab-Andalusi musicians and ensembles within transnational contexts; and the development of Franco-Algerian hip hop since the 1990s. He was an Early Career Research Fellow of the Institute of Musical Research (2016-17), and is currently a member of both the national committee of the British Forum for Ethnomusicology and the ethnomusicology committee of the Royal Anthropological Institute.
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","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw55b0v"]},"dataItem-jmw57q2k":{"type":"Image","id":"dataItem-jmw57q2k","metaData":{"isPreset":false,"schemaVersion":"2.0","isHidden":false},"title":"","uri":"db6ed2_f4a259fd2a284a5082643599e116fff5~mv2_d_1536_1561_s_2.jpg","description":"","width":1536,"height":1561,"alt":"photo_VL.jpg","name":"photo_VL.jpg"},"dataItem-jna6etg3":{"type":"LinkableButton","id":"dataItem-jna6etg3","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"label":"Blog","link":"#dataItem-jna6etg31"},"dataItem-jna6etg31":{"type":"PageLink","id":"dataItem-jna6etg31","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"pageId":"#v7nd0","target":"_self"},"dataItem-jrqb58xe":{"type":"Image","id":"dataItem-jrqb58xe","metaData":{"isPreset":false,"schemaVersion":"2.0","isHidden":false},"title":"","uri":"164a21_2133342121cf414a9bd5ba59342136ff~mv2_d_1431_1600_s_2.jpg","width":1431,"height":1600,"alt":""},"dataItem-jt5qkw62":{"type":"ExternalLink","id":"dataItem-jt5qkw62","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"url":"https://www.mus.cam.ac.uk/directory/Veronika_Lorenser","target":"_blank"},"dataItem-jt5qmr0m":{"type":"ExternalLink","id":"dataItem-jt5qmr0m","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"url":"https://www.mus.cam.ac.uk/directory/stephen-wilford","target":"_blank"},"dataItem-jt5qngpm":{"type":"ExternalLink","id":"dataItem-jt5qngpm","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"url":"https://www.mus.cam.ac.uk/directory/vanessa-paolma-elbaz-duncan","target":"_blank"},"dataItem-jt5qo01o":{"type":"ExternalLink","id":"dataItem-jt5qo01o","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"url":"https://www.mus.cam.ac.uk/directory/machin-autenrieth","target":"_blank"},"dataItem-jt5qoo2b":{"type":"ExternalLink","id":"dataItem-jt5qoo2b","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"url":"https://www.research.manchester.ac.uk/portal/samuel.llano.html","target":"_blank"},"dataItem-k0colns7":{"type":"Image","id":"dataItem-k0colns7","metaData":{"isPreset":false,"schemaVersion":"2.0","isHidden":false},"title":"","uri":"8b2229_52ad92e199794a29b74dbfb8e0862e54~mv2_d_3888_5184_s_4_2.jpg","description":"","width":3888,"height":5184,"alt":"MESG Eric Photo.jpg","name":"MESG Eric Photo.jpg"},"dataItem-k0coofva":{"type":"StyledText","id":"dataItem-k0coofva","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Eric Petzoldt is a PhD student at the Faculty of Music, University of Cambridge and takes part in the ERC-funded research project ‘Past and Present Musical Encounters across the Strait of Gibraltar‘. His doctoral studies focus on jazz as a medium for intercultural dialogue and a form of cultural diplomacy in Morocco. His project ‘Improvising Euro-Moroccan Intercultural Dialogue: The Role of Jazz Workshops in Present-Day Morocco‘ examines the creation and results of recent music mediation events in the context of jazz festivals initiated or funded by European Union member states. In his research, he is not only concerned with the role of improvised music practices and their use in the production of social cohesion, but also with colonial legacies that shape present-day music-making.
\n\n\n\n
Before completing his Masters in Cultural Musicology and Social & Cultural Anthropology at Georg-August-University in Göttingen, Germany, in 2019, Eric studied at the Hebrew University in Jerusalem and at the University of the South Pacific in Suva, the Fiji Islands. He is an active musician drawing from improvised music and jazz practices and the co-producer of two ethnographic films on cultural and environmental change (Undercurrents of a Changing Climate – the 12th Festival of Pacific Arts, Guam and Solarwind, a documentary on the implementation of renewable energy in the Cook Islands and El Hierro, Spain).
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":[]},"dataItem-k0coy5d6":{"type":"StyledText","id":"dataItem-k0coy5d6","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Claire Letellier acts as project coordinator for the Faculty of Music's (Cambridge) two European Research Council funded projects: 'Sound and Materialism in the 19th Century' (led by Dr David Trippett) and 'Past and Present Musical Encounters across the Strait of Gibraltar' (led by Dr Matthew Machin-Autenrieth). She is covering Veronika Lorenser while she is on maternity leave.
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باحث مساعد. يشارك لانو حاليا (إلى جانب طوم ويتيكر) في تحرير عدد خاص من مجلة الدراسات الثقافية الاسبانية تحت عنوان "الثقافات الصوتية الإسبانية". وقد نشرت مقالاته بمجلة الرابطة الموسيقية الملكية ومجلة الدراسات الاسبانية الثقافية وكذا نشرة الدراسات الاسبانية. ويشتغل سامويل منذ شتنبر 2018 كباحث أساسي ضمن مشروع 'ماضي اللقاء الموسيقي وحاضره عبر مضيق جبل طارق' (2023- 2018) الممول من طرف إ آر سي، والذي يعتبر ماثيو ماتشين- أوتنريث الباحث الرئيسي به.
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\n\nباحث مساعد أساسي، جامعة ماشستر
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\n\nباحثة مشاركة، جامعة كامبردج
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":[]},"dataItem-jldjrgtz":{"type":"StyledText","id":"dataItem-jldjrgtz","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"حازت دة. فانيسا بالوما دنكن-الباز على شهادة الدكتوراه من مركز السوربون للدراسات الشرق أوسطية والمتوسطية التابع للمعهد الوطني للحضارة واللغات الشرقية، وقد نالت اطروحتها 'الأغاني المعاصرة للنساء اليهوديات شمال المغرب: وظيفة الذاكرة المنسية ودورها الأصلي' تهنئة اللجنة، وثم اختيارها كأفضل أطروحة لعام 2018. هي خريجة المعهد الموسيقي أورلي بالمدرسة الموسيقية (م.م) التابعة لجامعة انديانا وجامعة أوكلاهوما بابتيست/ جامعة لوس أنديس (تخرجت بمرتبة الشرف)، وقد نالت فانيسا العديد من منح البحث، منها منحة الفولبرايت في المغرب (2008-2007) وباحثة مساعدة بمؤسسة الهداسا برانديس بجامعة برانديس (2009-2016) وزميلة باحثة بالمفوضية الأمريكية بطنجة بمؤسسة الدراسات المغربية (2018-2015). كما انها أسست في 2014 خويا: الأرشيف الصوتي ليهود المغرب الذي يعنى بجمع ورقمنة وترتيب وتحليل الأرشيف الصوتي التاريخي والمعاصر لليهود المغاربة. وتركز منشورات فانيسا على انتقال الهوية واستعمالات الموسيقى واللغة في التفاعلات بين اليهود المغاربة والثقافة السائدة. وقد حظي بحثها بدعم من طرف عدة مؤسسات من ضمنها المعهد الأمريكي للدراسات المغاربية ومؤسسة موريس أمادو ومؤسسة رايتوس بورسنز ومجلس كاليفورنيا للعلوم الإنسانية. وتعتبر فانيسا باحثة موسيقية نشيطة شاركت في العديد من المهرجانات حول العالم كما أنها ظهرت شاركت عدة مرات في البرامج الإذاعية والتلفزية، من بينها برامج بي بي اس و فرونس 24 والجزيرة الدولية.
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jtu4o2ws"]},"dataItem-jldjux2c":{"type":"StyledText","id":"dataItem-jldjux2c","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"ماثيو ماتشين- أوتنريث هو باحث مساعد أساسي بكلية الموسيقى بجامعة كامبريدج وباحث رئيسي بمشروع 'ماضي اللقاء الموسيقي وحاضره عبر مضيق جبل طارق' (2023- 2018) الممول من قبل مركز الأبحاث الأوروبي. حصل ماثيو على درجتي الماستر والدكتوراه في علم الموسيقى الإثنية من جامعة كارديف، وعين بعد ذلك زميلا بجامعة كامبريدج (2017- 2014)، حيث درس علم الموسيقى الإثنية لمستويات المرحلة الجامعية الأولى والدراسات العليا بجامعة كامبريدج وجامعة كارديف وجامعة بليماوث. يغطي بحث ماثيو ثلاثة مجالات أساسية: العلاقة بين الموسيقى والهوية الإقليمية بالدولة القومية، والدراسات الثراثية، والموسيقى، والشتات، ومابعد الاستعمار. وقد أنجز دراسة حول الفلامينكو والإقليمية والموروث الموسيقي في جنوب اسبانيا (راتليدج، 2017)، إلى جانب العديد من المقالات المتعلقة بالفلامينكو وسياسات الهوية الإقليمية والهجرة المغربية. وماثيو زميل بكلية سيلوين (كامبريدج) وباحث مشارك بمؤسسة وولف ومسؤول بالمنتدى البريطاني لعلم الموسيقى الإثنية.
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\n\nباحث مساعد، جامعة كامبريدج
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":[]},"dataItem-jldkaiuh1":{"type":"StyledText","id":"dataItem-jldkaiuh1","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"ستيفن ويلفورد باحث مساعد في كلية الموسيقى، جامعة كامبريدج وعضو فريق العمل الخاص بمشروع 'ماضي التلاقي الموسيقي وحاضره عبر مضيق جبل طارق' (2023- 2018)الذي يموله مجلس الأبحاث الأوروبي. ولقد درس في جامعة أبردين، وجامعة ليدز للموسيقى وكولدسميثس، وجامعة لندن قبل إكماله لرسالة الدكتوراه بسيتي/ جامعة لندن حول صناعة الموسيقي داخل مجتمع المهجر الجزائري في لندن والتي مولها المجلس الأبحاث الأوروبي. كما قام بالتدريس في سيتي/ جامعة لندن وجامعة ساوثهامبتون وكولدسميثس/ جامعة لندن.
\n\n\n\n
يعمل ستيفن على موسيقى شمال افريقيا، الموسيقى الجزائرية على وجه الخصوص، ويغطي قدرا من الأساليب التقليدية والمعاصرة. كما أن لديه اهتمام كبير بالتقاليد العربية-الاندلسية بالجزائر، في سياقي الاستعمار وما بعد الاستعمار. ويهتم بحثه بأفكار الهوية الجماعية، والذاكرة الثقافية، والشتات والانتشار العالمي للموسيقى. كما انه مهتم بشكل خاص بدور التكنولوجيا في انتاج وانتشار الموسيقى بين المؤلفين والمؤدين والمستمعين، والصلات التي يشكلها هؤلاء بين شمال افريقيا وأوروبا. وينقسم بحثه الحالي إلى ثلاثة محاور: دور الموسيقى في الجزائر اثناء وبعد الاستعمار، مع التركيز على الحوارات بين الفنون الموسيقية العربية-الاندلسية والغربية، وممارسات الموسيقيين العرب-الاندلسيين المعاصرين والمجموعات في السياقات العالمية، وتطور الهيب هوب الفرانكو- جزائري منذ التسعينيات. كما كان باحثا مساعدا في المرحلة الأولى من مسيرته المهنية في معهد البحث الموسيقي (2016-17)، وهو حاليا عضو في اللجنة الوطنية للمنتدى البريطاني للموسيقى الاثنية ولجنة الموسيقى الاثنية في المعهد الملكي الأنثروبولوجي.
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":[]},"dataItem-jmm2dck2":{"type":"Image","id":"dataItem-jmm2dck2","metaData":{"isPreset":false,"schemaVersion":"2.0","isHidden":false},"title":"","uri":"db6ed2_92d58d705a864a8cbfb85a033c80759d~mv2_d_1435_1656_s_2.jpg","description":"","width":1435,"height":1656,"alt":"SWilford photo.jpg","name":"SWilford photo.jpg","link":"#dataItem-jt5qmr0m"},"dataItem-jms4hbt2":{"type":"LinkableButton","id":"dataItem-jms4hbt2","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"label":"نبذة حول المشروع","link":"#dataItem-jms4hbt21"},"dataItem-jms4hbt21":{"type":"PageLink","id":"dataItem-jms4hbt21","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"pageId":"#czwu","target":"_self"},"dataItem-jms4hbtx":{"type":"LinkableButton","id":"dataItem-jms4hbtx","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"label":"فريق المشروع","link":"#dataItem-jms4hbtx1"},"dataItem-jms4hbtx1":{"type":"PageLink","id":"dataItem-jms4hbtx1","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"pageId":"#c9ny4","target":"_self"},"dataItem-jms4hbum":{"type":"LinkableButton","id":"dataItem-jms4hbum","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"label":"مجالات البحث","link":"#dataItem-jmvylrxl"},"dataItem-jms4hbve":{"type":"LinkableButton","id":"dataItem-jms4hbve","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"label":"الأخبار","link":"#dataItem-jms4hbve1"},"dataItem-jms4hbve1":{"type":"PageLink","id":"dataItem-jms4hbve1","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"pageId":"#c1o5","target":"_self"},"dataItem-jms4nhpv":{"type":"LinkableButton","id":"dataItem-jms4nhpv","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"label":"الإصدارات","link":"#dataItem-jms4nhpv1"},"dataItem-jms4nhpv1":{"type":"PageLink","id":"dataItem-jms4nhpv1","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"pageId":"#c1vwf","target":"_self"},"dataItem-jmvykzop":{"type":"LinkableButton","id":"dataItem-jmvykzop","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"label":"اللجنة الاستشارية","link":"#dataItem-jmvykzoq"},"dataItem-jmvykzoq":{"type":"PageLink","id":"dataItem-jmvykzoq","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"pageId":"#xojz4","target":"_self"},"dataItem-jmvylrxl":{"type":"PageLink","id":"dataItem-jmvylrxl","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"pageId":"#c24vq","target":"_self"},"dataItem-jmw50u8v1":{"type":"StyledText","id":"dataItem-jmw50u8v1","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"فيرونيكا لورينسور
\n\nمنسقة مشروع، جامعة كامبريدج
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":[]},"dataItem-jmw50u90":{"type":"StyledText","id":"dataItem-jmw50u90","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"تعمل فيرونيكا لورينسور كمنسقة لمشروعين لكلية الموسيقى (كامبريدج) ممولين من طرف مجلس الأبحاث الأوروبي: "الصوت والمادية في القرن التاسع عشر" (بإشراف الدكتور دافيد تريبت) و'ماضي التلاقي الموسيقي وحاضره عبر مضيق جبل طارق' (2023- 2018) (بإشراف الدكتور ماثيو ماشين- اوتنريث).
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":[]},"dataItem-jmw57q2k":{"type":"Image","id":"dataItem-jmw57q2k","metaData":{"isPreset":false,"schemaVersion":"2.0","isHidden":false},"title":"","uri":"db6ed2_f4a259fd2a284a5082643599e116fff5~mv2_d_1536_1561_s_2.jpg","description":"","width":1536,"height":1561,"alt":"photo_VL.jpg","name":"photo_VL.jpg","link":"#dataItem-jt5qkw62"},"dataItem-jna6etg3":{"type":"LinkableButton","id":"dataItem-jna6etg3","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"label":"المدونة/ البلوج","link":"#dataItem-jna6etg31"},"dataItem-jna6etg31":{"type":"PageLink","id":"dataItem-jna6etg31","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"pageId":"#v7nd0","target":"_self"},"dataItem-k0coy5d6":{"type":"StyledText","id":"dataItem-k0coy5d6","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"د. ستيفن ويلفورد
\n\nباحث مساعد، جامعة كامبريدج
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":[]},"dataItem-k0cp26nf":{"type":"StyledText","id":"dataItem-k0cp26nf","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"فيرونيكا لورينسور
\n\nمنسقة مشروع، جامعة كامبريدج
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":[]},"dataItem-k0cp26nk":{"type":"StyledText","id":"dataItem-k0cp26nk","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"تعمل فيرونيكا لورينسور كمنسقة لمشروعين لكلية الموسيقى (كامبريدج) ممولين من طرف مجلس الأبحاث الأوروبي: "الصوت والمادية في القرن التاسع عشر" (بإشراف الدكتور دافيد تريبت) و'ماضي التلاقي الموسيقي وحاضره عبر مضيق جبل طارق' (2023- 2018) (بإشراف الدكتور ماثيو ماشين- اوتنريث).
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":[]},"textLink_jmw4q5wk":{"type":"ExternalLink","id":"textLink_jmw4q5wk","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"url":"https://www.mus.cam.ac.uk/directory/machin-autenrieth","target":"_blank"},"textLink_jmw4qrk0":{"type":"ExternalLink","id":"textLink_jmw4qrk0","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"url":"https://www.research.manchester.ac.uk/portal/samuel.llano.html","target":"_blank"},"textLink_jmw4r5j1":{"type":"ExternalLink","id":"textLink_jmw4r5j1","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"url":"https://www.mus.cam.ac.uk/directory/stephen-wilford","target":"_blank"},"textLink_jmw55b0v":{"type":"ExternalLink","id":"textLink_jmw55b0v","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"url":"https://www.mus.cam.ac.uk/directory/Veronika_Lorenser","target":"_blank"},"textLink_jtu4jbc5":{"type":"ExternalLink","id":"textLink_jtu4jbc5","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"url":"https://www.mus.cam.ac.uk/directory/machin-autenrieth","target":"_blank"},"textLink_jtu4lsww":{"type":"ExternalLink","id":"textLink_jtu4lsww","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"url":"https://www.research.manchester.ac.uk/portal/samuel.llano.html","target":"_blank"},"textLink_jtu4o2ws":{"type":"ExternalLink","id":"textLink_jtu4o2ws","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"url":"https://www.mus.cam.ac.uk/directory/vanessa-paolma-elbaz-duncan","target":"_blank"}}}},"es":{"data":{"document_data":{"dataItem-jl3jc1l2":{"type":"StyledText","id":"dataItem-jl3jc1l2","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Samuel Llano es profesor de estudios culturales españoles en la Universidad de Manchester. Se especializa en la música y culturas sonoras de España desde una perspectiva transcultural. Es autor de ¿De quién es España?: la negociación de la “música española” en Paris, 1908-1929 (OUP, 2012), ganador del premio Robert M. Stevenson de la Sociedad Musicológica Americana; y Notas discordantes: la marginalidad y el control social en Madrid, 1850-1930 (OUP, 2018). Ha editado en colaboración con Alison Sinclair una edición especial del Boletín de Estudios Culturales Españoles con el título “Los héroes de transgresión: bandidos, rebeldes e intrusos” (2017), y una colección de ensayos con el título Escribiendo la transgresión en España, 1800-1936 (Boydell & Brewer, 2017), ambos saliendo del proyecto “La transgresión en España, 1800-1936: realidades, representaciones y reacciones” financiado por el Consejo de Investigación de los Artes y las Humanidades (AHRC), en el que era un investigador asociado. Llano está coeditando (con Tim Whittaker) una edición especial de la Revista de Estudios Culturales Españoles con el título “Las culturas sonoras de España”. Sus artículos han aparecido en la Revista de la Asociación Musical Real, la Revista de Estudios Culturales Españoles, y el Boletín de Estudios Culturales Españoles. A partir de septiembre 2018, Llano es investigador asociado senior del proyecto ‘Encuentros Musicales del Pasado y del Presente a través del Estrecho de Gibraltar’, en que Matthew Machin-Autenrieth es el investigador principal.
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw4qrk0"]},"dataItem-jldjk9lz":{"type":"StyledText","id":"dataItem-jldjk9lz","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Vanessa Paloma Duncan-Elbaz recibió su doctorado del Centro de Estudios del Mediterráneo y Medio Oriente del Instituto Nacional de Lenguas y Civilizaciones Orientales de la Universidad de la Sorbonne. Su tesis doctoral ‘Cantares de las mujeres judías del norte de Marruecos: rol y función central de un repertorio olvidado’, que recibió ‘félicitations du jury’, fue nominado a la mejor tesis doctoral del año 2018. Es una exalumna del Instituto de Música Antigua de la escuela de música de la Universidad de Indiana y de la Universidad de los Andes. Vanessa ha tenido varias becas de investigación, incluyendo un Senior Fulbright Research Scholarship en Marruecos (2007-2008), investigadora asociada del Hadassah Brandeis Institute de la Universidad de Brandeis (2009-2016) e investigadora asociada del American Legation Institute for Moroccan Studies en Tánger (2015-2018). En 2014, fundó KHOYA: el archivo sonoro del Marruecos judío para recopilar, digitalizar, clasificar y analizar grabaciones contemporáneas e históricas de los judíos marroquíes. Sus publicaciones se enfocan en la transmisión de la identidad, y el uso de la música y la lengua en las interacciones entre judíos marroquíes y la cultura mayoritaria. Su investigación se ha sido apoyada por el American Institute for Maghrib Studies, Maurice Amado Foundation, Righteous Persons Foundation and California Council for the Humanities entre otros. Vanessa es una música activa, ha actuado en varios festivales por el mundo y ha aparecido frecuentemente en la radio y la televisión, incluyendo PBS, France24 y Al Jazeera International.
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":[]},"dataItem-jldjux2c":{"type":"StyledText","id":"dataItem-jldjux2c","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw4q5wk"]},"dataItem-jldk7z34":{"type":"StyledText","id":"dataItem-jldk7z34","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Stephen Wilford es investigador asociado en la Facultad de Música de la Universidad de Cambridge y trabaja como parte del equipo para el proyecto ‘Encuentros Musicales del Pasado y del Presente a través del Estrecho de Gibraltar’ financiado por el Consejo Europeo de Investigación. Ha estudiado en la Universidad de Aberdeen, Leeds College of Music y Goldsmiths, Universidad de Londres, antes de completar sus estudios doctorales financiados por el AHRC en City, Universidad de Londres, con una tesis doctoral sobre la música dentro de la comunidad argelina de Londres. Ha dado clases en la etnomusicología en City, Universidad de Londres, la Universidad de Southampton y Goldsmiths, Universidad de Londres.
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Su investigación se enfoca en la música del Norte de África, sobre todo de Argelia, y abarca un rango de estilos tradicionales y contemporáneos. Le interesan las tradiciones arabo-andalusíes de Argelia, tanto en los contextos coloniales como en los contextos postcoloniales. Su investigación esta interesada en conceptos de la identidad colectiva, la memoria cultural, la diáspora y los flujos transnacionales de la música. Stephen tiene mucho interés en el papel de las tecnologías en la producción y circulación de la música entre compositores, interpretes y oyentes, además de las conexiones que se forman entre el Norte de África y Europa. Su investigación actual se divide en tres partes: el papel de la música en Argelia colonial y postcolonial, con un énfasis en los diálogos entre la música andalusí y la música clásica occidental; las practicas de los músicos y conjuntos andalusíes contemporáneos en los contextos transnacionales; y el desarrollo de hip hop francés-argelino desde los años 90. Stephen fue ‘Early Career Research Fellow’ en el Instituto de Investigación Musical (2016-17), y actualmente es un miembro del comité nacional del Foro Británico de Etnomusicología y del comité de etnomusicología del Instituto Antropológico Real.
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw4r5j1"]},"dataItem-jms4hbt2":{"type":"LinkableButton","id":"dataItem-jms4hbt2","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"label":"Sobre el Proyecto","link":"#dataItem-jms4hbt21"},"dataItem-jms4hbt21":{"type":"PageLink","id":"dataItem-jms4hbt21","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"pageId":"#czwu","target":"_self"},"dataItem-jms4hbtx":{"type":"LinkableButton","id":"dataItem-jms4hbtx","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"label":"Equipo del Proyecto","link":"#dataItem-jms4hbtx1"},"dataItem-jms4hbtx1":{"type":"PageLink","id":"dataItem-jms4hbtx1","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"pageId":"#c9ny4","target":"_self"},"dataItem-jms4hbum":{"type":"LinkableButton","id":"dataItem-jms4hbum","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"label":"Áreas de Investigación","link":"#dataItem-jmvylrxl"},"dataItem-jms4hbve":{"type":"LinkableButton","id":"dataItem-jms4hbve","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"label":"Eventos","link":"#dataItem-jms4hbve1"},"dataItem-jms4hbve1":{"type":"PageLink","id":"dataItem-jms4hbve1","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"pageId":"#c1o5","target":"_self"},"dataItem-jms4nhpv":{"type":"LinkableButton","id":"dataItem-jms4nhpv","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"label":"Publicaciones","link":"#dataItem-jms4nhpv1"},"dataItem-jms4nhpv1":{"type":"PageLink","id":"dataItem-jms4nhpv1","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"pageId":"#c1vwf","target":"_self"},"dataItem-jmvykzop":{"type":"LinkableButton","id":"dataItem-jmvykzop","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"label":"Consejo Consultivo","link":"#dataItem-jmvykzoq"},"dataItem-jmvykzoq":{"type":"PageLink","id":"dataItem-jmvykzoq","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"pageId":"#xojz4","target":"_self"},"dataItem-jmvylrxl":{"type":"PageLink","id":"dataItem-jmvylrxl","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"pageId":"#c24vq","target":"_self"},"dataItem-jmw50u8v1":{"type":"StyledText","id":"dataItem-jmw50u8v1","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Veronika Lorenser es coordinadora de dos proyectos en la Facultad de Música (Cambridge) financiados por el Consejo Europeo de Investigación: ‘Sonido y Materialismo en el Siglo XIX’ (dirigido por David Trippett) y ‘Encuentros Musicales del Pasado y del Presente a través del Estrecho de Gibraltar’ (dirigido por Matthew Machin-Autenrieth).
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw55b0v"]},"dataItem-k0coy5d6":{"type":"StyledText","id":"dataItem-k0coy5d6","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Veronika Lorenser es coordinadora de dos proyectos en la Facultad de Música (Cambridge) financiados por el Consejo Europeo de Investigación: ‘Sonido y Materialismo en el Siglo XIX’ (dirigido por David Trippett) y ‘Encuentros Musicales del Pasado y del Presente a través del Estrecho de Gibraltar’ (dirigido por Matthew Machin-Autenrieth).
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw55b0v"]},"textLink_jmw4q5wk":{"type":"ExternalLink","id":"textLink_jmw4q5wk","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"url":"https://www.mus.cam.ac.uk/directory/machin-autenrieth","target":"_blank"},"textLink_jmw4qrk0":{"type":"ExternalLink","id":"textLink_jmw4qrk0","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"url":"https://www.research.manchester.ac.uk/portal/samuel.llano.html","target":"_blank"},"textLink_jmw4r5j1":{"type":"ExternalLink","id":"textLink_jmw4r5j1","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"url":"https://www.mus.cam.ac.uk/directory/stephen-wilford","target":"_blank"},"textLink_jmw55b0v":{"type":"ExternalLink","id":"textLink_jmw55b0v","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"url":"https://www.mus.cam.ac.uk/directory/Veronika_Lorenser","target":"_blank"}}}},"fr":{"data":{"document_data":{"dataItem-jl3jc1l2":{"type":"StyledText","id":"dataItem-jl3jc1l2","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Samuel Llano est Maître Conférencier en Etudes Culturelles Espagnoles à l'Université de Manchester. Il est spécialisé dans la musique et les cultures sonores de l'Espagne d’un point de vue transculturel. Il est l'auteur de A Qui Appartient l’Espagne ? Négociation de la « Musique Espagnole » à Paris, 1908-1929 (OUP, 2012), lauréat du prix Robert M. Stevenson de la Société Américaine de Musicologie, et Des Notes Discordantes : Marginalité et Contrôle Social à Madrid, 1850-1930 (OUP, décembre 2018). Il a coédité (avec Alison Sinclair) un numéro spécial du Bulletin d'Etudes Culturelles Espagnoles intitulé « Héros de Méfaits : Bandits, Rebelles et Etrangers » (2017) ainsi qu’une collection d'essais intitulée : Ecrits de Méfaits en Espagne, 1800-1936 (Boydell & Brewer, 2017). Les deux publications sont issues du projet financé par le CRAH - « Méfaits en Espagne, 1800-1936 : Représentations des Faits, Réactions », et dont il était Associé de Recherche. Llano coédite actuellement (avec Tom Whittaker) un numéro spécial du Journal d’Etudes Culturelles Espagnoles intitulé « Cultures Sonores de l’Espagne ». Ses articles ont été publiés dans le Journal de l’Association Royale de Musique, le Journal des Etudes Culturelles Espagnoles et le Bulletin d'Etudes Espagnoles. Depuis septembre 2018, Llano est Chercheur Senior du projet « Rencontres Musicales Passées et Actuelles à Travers le Détroit de Gibraltar » financé par le CRE, et dont Matthew Machin-Autenrieth est le Chercheur Principal.
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw4qrk0"]},"dataItem-jldjk9lz":{"type":"StyledText","id":"dataItem-jldjk9lz","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Vanessa Paloma Duncan-Elbaz est titulaire d'un doctorat du Centre d’Etudes Moyen-Orient Méditerranée de l’Institut National des Langues et Civilisations Orientales de l’Université Sorbonne Paris Cité. Sa thèse, intitulée « Les Chants des Femmes Judéo-Espagnoles du Nord du Maroc à l’Heure Actuelle : Rôle et Fonction Centrale d'un Répertoire Oublié », qui a reçu les félicitations du jury, a été nominée pour la meilleure thèse de l'année 2018. Vanessa a eu sa Maîtrise de l’Institut de Musiques Anciennes, de l’Ecole de Musique (MM) de l'Université d'Indiana, et sa licence de l’Université Baptiste d'Oklahoma/Université des Andes (BM Magna Cum Laude). Elle a obtenu plusieurs bourses de recherche, notamment celle de Chercheuse Principale Fulbright pour le Maroc (2007-2008), Chercheuse Associée à l’Institut Hadassah Brandeis de l’Université Brandeis (2009-2016) et Chercheuse Universitaire à l’Institut Américain de Légation pour les Etudes Marocaines à Tanger (2015 -2018). En 2014, elle a créé KHOYA : les Archives Sonores des Juifs du Maroc, afin de collecter, numériser, classer et analyser les enregistrements sonores contemporains et historiques des Marocains juifs. Ses publications se concentrent sur la transmission de l'identité et l'utilisation de la musique et de la langue dans les interactions entre les Marocains juifs et la culture majoritaire du pays. Ses recherches ont été financées par l'Institut Américain des Etudes Maghrébines, la Fondation Maurice Amado, la Fondation des Justes, et le Conseil Californien des Sciences Humaines, entre autres. Vanessa est une musicienne active, et s’est produite au cours de divers festivals à travers le monde. Elle est fréquemment intervenue à la radio et à la télévision, notamment PBS, France24 et Al Jazeera International.
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":[]},"dataItem-jldjux2c":{"type":"StyledText","id":"dataItem-jldjux2c","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Matthew Machin-Autenrieth est Chercheur Principal à la Faculté de Musique de l’Université de Cambridge, ainsi que celui du projet financé par le Conseil Européen de la Recherche, « Rencontres Musicales Passées et Actuelles à Travers le Détroit de Gibraltar » (2018-2023). Matthew a achevé sa maîtrise et son doctorat en ethnomusicologie à l'Université de Cardiff. Après ses études, il a été nommé Leverhulme Early Career Fellow à l'Université de Cambridge (2014-2017). Il a enseigné l'ethnomusicologie aux premier et troisième cycle à l'Université de Cambridge, l’Université de Cardiff et l'Université de Plymouth. Ses recherches portent sur trois domaines principaux : la relation entre musique et identité régionale dans les États-nations, l’étude du patrimoine, et enfin musique, diaspora et études postcoloniales. Il est l'auteur de la monographie Flamenco, Régionalisme et Patrimoine Musical au Sud de l'Espagne (Routledge, 2017), ainsi que de nombreux articles sur le flamenco, les politiques d'identité régionale et l'immigration marocaine. Matthew est Bye-Fellow du Selwyn College (Cambridge), Chercheur Affilié du Woolf Institute et Coordinateur de Conférences au sein du Forum Britannique d’Ethnomusicologie.
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw4q5wk"]},"dataItem-jldk7z34":{"type":"StyledText","id":"dataItem-jldk7z34","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Stephen Wilford est Chercheur Associé à la Faculté de Musique de l’Université de Cambridge et il fait partie de l’équipe qui travaille sur le projet intitulé « Rencontres Musicales Passées et Actuelles à Travers le Détroit de Gibraltar », financé par le Conseil Européen de la Recherche. Il a étudié à l'Université d'Aberdeen, au Leeds College de Musique et à Goldsmiths, Université de Londres, puis a soutenu son Doctorat à City/ Université de Londres sur la création musicale au sein de la communauté diasporique algérienne de Londres, financé par le CRAH. Il a enseigné à City/Université de Londres, Université de Southampton et Goldsmiths, Université de Londres.
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Les recherches de Stephen sont axées sur les musiques nord-africaines, en particulier celles de l’Algérie, et couvrent une gamme de styles traditionnels et contemporains. Il s'intéresse beaucoup aux traditions arabo-andalouses de l'Algérie, tant dans les contextes colonial que postcolonial. Ses recherches portent sur des idées d'identité collective, de mémoire culturelle, de diaspora et de flux musicaux transnationaux. Il s'intéresse particulièrement au rôle des technologies dans la production et la circulation de la musique entre les compositeurs, les interprètes et les auditeurs, ainsi qu’aux liens que ceux-ci tissent entre l'Afrique du Nord et l'Europe. Ses recherches actuelles portent sur trois volets : le rôle de la musique dans l’Algérie coloniale et postcoloniale, axé sur les dialogues entre les musiques arabo-andalouses et occidentales ; les pratiques des musiciens et ensembles arabo-andalous contemporains dans des contextes transnationaux ; et le développement du hip-hop franco-algérien depuis les années 1990. Stephen a été Chercheur en début de carrière à l'Institut de Recherches Musicales (2016-2017) et est actuellement membre du Comité National du Forum Britannique pour l’Ethnomusicologie et du Comité d'Ethnomusicologie de l'Institut Royal d'Anthropologie.
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","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw55b0v"]},"dataItem-k0coy5d6":{"type":"StyledText","id":"dataItem-k0coy5d6","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Veronika Lorenser est la coordinatrice des deux projets financés par le Conseil Européen de la Recherche pour la Faculté de Musique (Cambridge) : « Son et Matérialisme au XIXe siècle » (dirigé par Dr David Trippett) et « Rencontres Musicales Passées et Actuelles à Travers le Détroit de Gibraltar » (dirigé par Dr Matthew Machin-Autenrieth).
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