Jonathan Shannon is a cultural anthropologist who specializes in aesthetics, musical performance, and cultural politics in the Arab world and Mediterranean. He has conducted ethnographic field research in Syria, Morocco, Spain, and France and is the recipient of numerous grants and awards, including from SSRC, Fulbright-Hays. Professor Shannon was a Fellow of the John Simon Guggenheim Memorial Foundation in 2008-2009. He has been teaching at Hunter College since 2001.
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw4pknv"]},"dataItem-jldkidi7":{"type":"StyledText","id":"dataItem-jldkidi7","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Dwight Reynolds received his Ph.D. from the Department of Folklore and Folklife from the University of Pennsylvania in 1991. His areas of academic interest are Arabic language and literature, autobiographies, performance studies, oral and musical traditions of the Middle East and ethnographic fieldwork. His publications include Heroic Poets, Poetic Heroes: The Ethnography of Performance in an Arabic Oral Epic Tradition(Cornell UP, 1995), Interpreting the Self: Autobiography in the Arabic Literary Tradition (UC Press, 2001), and Arab Folklore: A Handbook (Greenwood Press, 2007).
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw4p69w"]},"dataItem-jldko4hr":{"type":"StyledText","id":"dataItem-jldko4hr","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Rachel Beckles Willson is a writer and musician who works at the intersections of composition, performance, history and politics. Her research has centered on 19th to 21st-century Hungary, Palestine and, most recently, Sicily; she has published three monographs as well as specialist articles in the sub-disciplines of analysis, historical musicology and ethnomusicology. Rachel is recipient of numerous substantial research grants from the AHRC, the British Council, the British Academy, the Humboldt Foundation and the Leverhulme Trust. She was Director of the Humanities and Arts Research Centre 2013-2016.
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jldkoanh","#textLink_jmw4ni5l"]},"dataItem-jldkpl5u":{"type":"StyledText","id":"dataItem-jldkpl5u","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Ruth Davis studied piano and violin at the Royal Academy of Music before taking the BMus degree at King's College London. She pursued graduate studies in ethnomusicology and historical musicology at the University of Amsterdam and at Princeton University where she was awarded her PhD in 1986. She was appointed to the first University position in ethnomusicology in the Faculty of Music in 1983, since when she has also directed studies in music at Corpus Christi College. Her research concentrates primarily on urban music of North Africa and the Middle East. She has carried out original field research in mainland Tunisia, the Tunisian island of Djerba, England (street musicians; Kurdish exile musicians), Peru, Iraq and Uzbekistan. She has published extensively in books and leading international journals such as Ethnomusicology, Yearbook for Traditional Music, The World of Music, Asian Music, Musica Judaica, The Maghreb Review, Early Music, publications of various study meetings of the International Council for Traditional Music, and in Popular Music and the Musical Times where her contributions have also been editorial. She has presented numerous programmes on Middle Eastern, North African and Central Asian musical traditions for BBC Radio 3, and she is a regular contributor to Gramophone and Songlines.Her recent publications include articles on 'Maqam' (modal systems of North Africa, West and Central Asia) and on Tunisian urban and Sufi traditions for the revised New Grove; and articles on Patronage and Policy, Notation, the Baron Rodolphe d'Erlanger and Music of the Jews of Djerba for the Middle East volume of the Garland Encyclopedia of World Music. She is currently producing an edition of the pioneering ethnomusicologist Robert Lachmann's research on musical traditions in Palestine in the 1930s; the edition will include a compact disc of Lachmann's historic field recordings, restored through computer enhanced digital technology in collaboration with Simon Godsill, Fellow in Engineering.
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\n\nManuela Cortés García is an Arabist, musicologist and translator, based at the Department of History and Science of Music at the Universidad de Granada. Previously, she has held appointments at the University of Cairo, the Instituto Cervantes in Baghdad and Cairo. She received her doctorate in Arab and Islamic philology at the Universidad Autónoma de Madrid (1996) and Masters degrees in Arab and Hebrew culture and Musical Heritage from the Universidad de Granada. She is a member of the Network of Experts in Heritage; the Technical Commission of the Alcazaba (Almeria, 2001–2007) and the Scientific Commission for the Masters in Musical Heritage (at the Universidad de Granada), as well as a member of the editorial board for four musical journals. She has published six books in musicology, as well as being editor of three books and translator for four collections of Arabic poems. She has published 86 articles in music and literature. She regularly participates in national and international conferences.
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","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw4pknv"]},"dataItem-jldkidi7":{"type":"StyledText","id":"dataItem-jldkidi7","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"حصل دوايت رينولدز على الدكتوراه من قسم الفولكور والحياة الشعبية من جامعة بنسلفانيا عام 1991. مجالات اهتمامه الأكاديمية تشمل اللغة العربية والأدب، والسير الذاتية، ودراسات الآداء، والتقاليد الشفهية والموسيقية في الشرق الأوسط والعمل الميداني الإثنوغرافي. كما تشمل منشوراته الشعراء الأبطال، الأبطال الشعراء: إثنوغرافيا تقليد الآداء الملحمي العربي (كورنيل أب، 1995)، تفسير الذات: السيرة الذاتية في التراث الأدبي العربي (مطبعة جامعة كاليفورنيا، 2001)، والفولكلور العربي: كتيب (مطبعة غرينوود ، 2007).
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":[]},"dataItem-jldko4hr":{"type":"StyledText","id":"dataItem-jldko4hr","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"ريتشل بيكلز ويلسيون كاتبة وموسيقية تعمل في سياق يتقاطع في التأليف بالأداء والتاريخ والسياسة. تنصب أبحاثها على هنغاريا وفلسطين وصقلية ـمؤخرا- من القرن 19 الى القرن 21. نشرت ثلاث دراسات بالإضافة الى مقالات مختصة في فروع التحليل وعلم الموسيقى التاريخي وعلم الموسيقى الاثنية. كما حصلت ريتشل على إعانات بحث متعددة ومهمة من مجلس الأبحاث الأوروبي، والهيئة البريطانية، والأكاديمية البريطانية، ومؤسسة هامبولدت، واتحاد ليفيرهولوم. كما كانت مديرة مركز العلوم الإنسانية والبحث الفني2013-2016.
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":[]},"dataItem-jldkpl5u":{"type":"StyledText","id":"dataItem-jldkpl5u","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"درست روث ديفيس البيانو والكمان في الأكاديمية الملكية للموسيقى قبل حصولها على شهادة الإجازة في الموسيقى من جامعة كينك في لندن. واصلت الدراسات العليا في علم الموسيقى الإثنية وعلم الموسيقى التاريخي في جامعة أمستردام وبعدها بجامعة برينستون حيث حصلت على شهادة الدكتوراه سنة 1986. تم تعيينها في أول منصب جامعي في علم الموسيقى الإثنية في كلية الموسيقى سنة 1983 حيث كان لديها أيضا دراسات موجهة في الموسيقى بكلية كوربوس كريستي. يركز بحثها في المقام الأول على الموسيقى الحضرية في شمال أفريقيا والشرق الأوسط. وقد قامت بأبحاث ميدانية تتسم بالجدة في تونس وجزيرة جربة في تونس، وانجلترا (موسيقيي الشارع، موسيقيي المنفى الأكراد)، والبيرو، والعراق وأوزبكستان. وقد نشرت على نطاق واسع في الكتب والمجلات الدولية الرائدة مثل علم الموسيقى الإثنية، والكتاب السنوي للموسيقى التقليدية، وعالم الموسيقى، والموسيقى الآسيوية، الموسيقى اليهودية، مجلة المغرب العربي، الموسيقى المبكرة، منشورات الحلقات الدراسية للمجلس الدولي للموسيقى التقليدية، والموسيقى الشعبية، والتايمز للموسيقى حيث كانت مساهماتها أيضا عبارة عن افتتاحيات. ولقد قدمت العديد من البرامج حول التقاليد الموسيقية في الشرق الأوسط وشمال أفريقيا وآسيا الوسطى لراديو بي بي سي 3، كما أنها مساهمة منتظمة في غراموفون وسونغ لاين. تضمنت آخر منشوراتها مقالات حول "المقام" وحول التقاليد التونسية الحضرية والصوفية في معجم نيو غروف المنقح، ومقالات حول الرعاية والسياسة، والترميز، والبارون رودولف دو إرلنجر، وموسيقى يهود جربة بمجلد الشرق الأوسط في موسوعة جارلاند للموسيقى العالمية. تقوم حاليا بإنتاج طبعة من بحث روبرت لاكمان العالم الرائد في مجال علم الموسيقى الإثنية حول التقاليد الموسيقية في فلسطين في ثلاثينيات القرن العشرين، وسوف تشمل الطبعة قرصا مضغوطا من تسجيلات ميدانية تاريخية، مستعادة عن طريق التكنولوجيا الرقمية محسنة بالكمبيوتر بالتعاون مع سيمون غودسيل، زميل في الهندسة.
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\n\nمانويلا كورتيز غارسيا مستعربة، وعالمة موسيقى ومترجمة، تعمل في قسم التاريخ وعلم الموسيقى في جامعة غرناطة. وقد حازت سابقا على عدة مناصب في جامعة القاهرة ومعهد سيرفانتس في بغداد والقاهرة. كما حصلت على شهادة الدكتوراه في علم فقه اللغة العربية والإسلامية بجامعة اوتونوما بمدريد (1996) وشواهد الماستر في الموروث الموسيقي في الثقافة العربية والعبرية من جامعة غرناطة. كما أنها عضو في شبكة الخبراء في الموروث، واللجنة التقنية في الكزابا (ألمرية 2001-2007) واللجنة العلمية في ماستر الموروث الثقافي (بجامعة غرناطة). ومانويلا عضو في هيئة التحرير بأربع مجلات موسيقية. ولقد نشرت ستة كتب في علم الموسيقى بالإضافة الى ثلاثة أعمال أخرى حررتها، كما قامت بترجمة أربعة دواوين عربية، وقد نشر لها 86 مقالة في الموسيقى والادب، كما أنها تشارك بانتظام في مؤتمرات وطنية ودولية.
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","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw4pknv"]},"dataItem-jldkidi7":{"type":"StyledText","id":"dataItem-jldkidi7","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Dwight Reynolds recibió su doctorado en 1991 del Departamento de Folclor y Vida de Folclor de la Universidad de Pennsylvania. Sus áreas de interés son la lengua y la literatura árabe, la autobiografía, los estudios de interpretación, las tradiciones orales y musicales del Medio Oriente y trabajo de campo etnográfico. Sus publicaciones incluyen Poetas heroicos, héroes poéticos: la etnografía de la interpretación en la tradición épica árabe (Cornell UP, 1995), Interpretando el ser: autobiografía en la tradición literaria árabe (UC Press, 2001), y Folclore árabe: una guía (Greenwood Press, 2007).
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw4p69w"]},"dataItem-jldko4hr":{"type":"StyledText","id":"dataItem-jldko4hr","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Rachel Beckles Willson es una escritora y música que trabaja en las intersecciones de composición, interpretación, historia y política. Su investigación se ha enfocado en Hungría y Palestina de los siglos XIX y XX, y mas recientemente, Sicilia. Ha publicado tres monografías además de artículos especializados en los campos académicos de análisis, musicología y etnomusicología. Rachel es la receptora de numerosas becas de investigación de AHRC, el Consejo Británico, la Academia Británica, la Fundación Humboldt y el Leverhulme Trust. Fue directora de Centro de Investigación de las Humanidades y los Artes (2013–2016).
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw4ni5l"]},"dataItem-jldkpl5u":{"type":"StyledText","id":"dataItem-jldkpl5u","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Ruth Davis estudió piano y violín en la Academia Real de la Música antes de hacer el título BMus en King’s College Londres. Continuó con sus estudios de postgrado en etnomusicología y musicología en la Universidad de Ámsterdam y en la Universidad de Princeton done recibió su doctorado en 1986. Fue nombrada al primer puesto de etnomusicología en la Facultad de Música de la Universidad de Cambridge, desde cuando ha dirigido los estudios en la música en Corpus Christi College. Su investigación se enfoca principalmente en la música urbana del Norte de África y el Medio Oriente. Ha llevado a cabo trabajo de campo singular en Túnez, la isla tunecina de Djerba, Inglaterra (músicos callejeros; músicos kurdos exilados), Perú, Iraq y Uzbekistán. Ha publicado extensamente en libros y revistas internacionales destacados como Etnomusicología, el Anuario de la Música Tradicional, El Mundo de la Música, Música Asiática, Musica Judaica, la Revista Magrebí, Música Antigua, publicaciones de varias reuniones del Consejo Internacional de la Música Tradicional, y en la Música Popular y los Tiempos Musicales donde sus contribuciones han sido editoriales. Ha presentado numerosos programas sobre tradiciones musicales del Medio Oriente, Norte de África y Asia Central para BBC Radio 3, y es una contribuidora regular a Gramophone y Songlines. Sus publicaciones recientes incluyen artículos sobre ‘Maqam’ (sistemas modales del Norte de África, Asia Central y Occidental) y sobre tradiciones urbanas y sufíes de Túnez para New Grove; y artículos sobre mecenazgo y política, notación, el Barón Rodolphe d’Erlanger y la música de los judíos de Djerba para el volumen sobre el Medio Oriente del Garland Encyclopedia of World Music. Actualmente, esta produciendo una edición de la investigación del pionero de la etnomusicología, Robert Lachmann sobre las tradiciones musicales del Palestina en los años 1930s. La edición incluirá un CD de las grabaciones del campo de Lachmann, restauradas por la tecnología digital en colaboración con Simon Godsill, Fellow en ingeniería.
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\n\nManuela Cortés García es arabista, musicóloga y traductora del Departamento de Historia y Ciencias de la Música en la Universidad de Granada. Anteriormente, ha ocupado puestos en la Universidad de Cairo y el Instituto Cervantes en Bagdad y Cairo. Recibió su doctorado en Filología Árabe e Islámica de la Universidad Autónoma de Madrid (1996), un Máster de Cultura Árabe y Hebrea y un Máster de Patrimonio Cultural de la Universidad de Granada. Es miembro de la Red de Expertos en Patrimonio; la Comisión Técnica de la Alcazaba (Almería, 2001–2007) y la Comisión Científica del Máster Patrimonio Cultural (en la Universidad de Granada), además de ser un miembro evaluador de los comités científicos de cuatro revistas musicales. Ha publicado seis libros en musicología, además de ser la editora de tres libros y la traductora de cuatro colecciones de poesía árabe. Ha publicado 86 artículos en música y literatura. Participa regularmente en congresos nacionales e internacionales.
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","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw4pknv"]},"dataItem-jldkidi7":{"type":"StyledText","id":"dataItem-jldkidi7","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Dwight Reynolds a obtenu son Doctorat au Département du Folklore et de la Vie Populaire de l'Université de Pennsylvanie en 1991. Ses intérêts scientifiques se situent dans les domaines de la langue et de la littérature arabes, les autobiographies, les études sur les arts de la scène, les traditions orales et musicales du Moyen-Orient et le travail ethnographique sur le terrain. Parmi ses publications, Poètes Héroïques, les Héros Poétiques: L’Ethnographie de la Performance dans une Tradition Orale Arabe Epique (Cornell UP, 1995), Interprétation de Soi: Autobiographie dans la Tradition Littéraire Arabe (UC Press, 2001) et Folklore Arabe : Un Manuel (Greenwood Press, 2007).
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw4p69w","#textLink_js1srz1b","#textLink_js1srz1c","#textLink_js1srz1c1"]},"dataItem-jldko4hr":{"type":"StyledText","id":"dataItem-jldko4hr","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Rachel Beckles Willson est écrivaine et musicienne, et travaille aux carrefours de la composition, de la performance, de l'histoire et de la politique. Ses recherches se focalisent sur la Hongrie, la Palestine et, plus récemment, la Sicile du XIXe au XXIe siècle. Elle a publié trois monographies et des articles spécialisés dans les sous-disciplines de l'analyse, de la musicologie historique et de l'ethnomusicologie. Rachel est bénéficiaire de nombreuses et importantes subventions de recherche du CRAH, du British Council, de l’Académie Britannique, de la Humboldt Foundation et du Leverhulme Trust. Elle était directrice du Centre de Recherches des Sciences Humaines et des Arts 2013-2016.
","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":["#textLink_jmw4ni5l"]},"dataItem-jldkpl5u":{"type":"StyledText","id":"dataItem-jldkpl5u","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"Ruth Davis a étudié le piano et le violon à l’Académie Royale de Musique avant d’obtenir son BMus degree (License) au King's College de Londres. Elle a poursuivi des études supérieures en ethnomusicologie et en musicologie historique à l’Université d’Amsterdam et à l’Université de Princeton, où elle a obtenu son doctorat en 1986. Elle a été nommée au premier poste de professeur universitaire en ethnomusicologie de la Faculté de Musique de l’Université de Cambridge en 1983, et dirigeait les études de musique au Corpus Christi College. Ses recherches portent principalement sur la musique urbaine d'Afrique du Nord et du Moyen-Orient. Elle a mené des recherches de terrain originales en Tunisie continentale, sur l'île tunisienne de Djerba, en Angleterre (musiciens de rue; musiciens kurdes exilés), au Pérou, en Iraq et en Ouzbékistan.
\n\nElle a publié de nombreux ouvrages dans des livres et des revues internationales, telles que Ethnomusicologie, l’Annuaire de la Musique Traditionnelle, le Monde de la Musique, Musique asiatique, Musique Judaica, La Revue du Maghreb, Musique Ancienne, publications de diverses réunions d'étude du Conseil International de la Musique Traditionnelle, Musique Populaire et le Musical Times, où ses contributions ont été également éditoriales. Elle a présenté de nombreuses émissions sur les traditions musicales du Moyen-Orient, d'Afrique du Nord et d'Asie centrale pour BBC Radio 3, elle collabore régulièrement avec Gramophone et Songlines. Ses publications récentes comprennent des articles sur « Maqam » (les systèmes modaux d'Afrique du Nord, d'Asie occidentale et centrale), les traditions urbaines tunisiennes et soufies pour le New Grove révisé, des articles sur le Mécénat et la Politique, la Notation, le Baron Rodolphe d'Erlanger et la Musique des Juifs de Djerba pour le volume du Moyen-Orient de l’Encyclopédie Garland des Musiques du Monde. Elle produit actuellement une édition qui porte sur les recherches du pionnier de l'ethnomusicologie Robert Lachmann, sur les traditions musicales dans la Palestine des années 1930; cette édition inclura un disque compact contenant des enregistrements de terrain historiques de Lachmann restaurés grâce à la technologie numérique améliorée par ordinateur, en collaboration avec Simon Godsill, Associé en Ingénierie.
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\n\nManuela Cortés García est une musicologue arabisante, également traductrice au département d'Histoire et des Sciences de la Musique à l'Université de Grenade. Elle a auparavant occupé des postes à l'Université du Caire, ainsi qu’aux Instituts Cervantès de Bagdad et du Caire. Elle a obtenu son doctorat en philologie arabe et islamique à l'Université Autonome de Madrid (1996), après ses diplômes de maîtrise de culture arabe et hébraïque et de patrimoine musical à l'Université de Grenade. Elle est membre du Réseau d’Experts en Patrimoine; la Commission Technique de l'Alcazaba (Almeria, 2001-2007), la Commission Scientifique pour la Maîtrise en Patrimoine Musical (Université de Grenade), ainsi que membre du comité de rédaction de quatre revues musicales. Elle a publié six livres en musicologie, édité trois livres, et traduit quatre recueils de poèmes arabes. Elle a publié quatre vingt six articles portant sur la musique et la littérature. Elle participe régulièrement à des conférences nationales et internationales.
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