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class=\"font_8\" style=\"font-size:16px\"><span style=\"color:#FFFFFF;\"><span style=\"font-weight:bold\"><span style=\"font-family:futura-lt-w01-book,sans-serif\"><span style=\"font-size:16px\">RECKONING WITH REFUGEEDOM</span></span></span></span></p>\n\n<p class=\"font_8\" style=\"font-size:16px\"><span style=\"color:#FFFFFF;\"><span style=\"font-weight:bold\"><span style=\"font-family:futura-lt-w01-book,sans-serif\"><span style=\"font-size:16px\">by Mei Yuk Wong (Hong Kong)</span></span></span></span></p>\n\n<p class=\"font_8\" style=\"font-size:16px\"><span style=\"color:#FFFFFF;\"><span style=\"font-weight:bold\"><span style=\"font-family:futura-lt-w01-book,sans-serif\"><span style=\"font-size:16px\"><span class=\"wixGuard\">​</span></span></span></span></span></p>\n\n<p class=\"font_8\" style=\"font-size:16px\"><span style=\"color:#FFFFFF;\"><span style=\"font-weight:bold\"><span style=\"font-family:futura-lt-w01-book,sans-serif\"><span style=\"font-size:16px\">Thursday 24 &ndash; Sunday 27 October</span></span></span></span></p>\n\n<h2 class=\"font_2\"><span style=\"font-family:futura-lt-w01-book,sans-serif\"><span style=\"color:#FFFFFF\"><span class=\"wixGuard\">​</span></span></span></h2>\n\n<h2 class=\"font_2\"><span style=\"font-family:futura-lt-w01-book,sans-serif\"><span style=\"color:#FFFFFF\">FREE</span></span></h2>\n\n<h2 class=\"font_2\"><span style=\"font-family:futura-lt-w01-book,sans-serif\"><span style=\"color:#FFFFFF\"><span class=\"wixGuard\">​</span></span></span></h2>\n\n<h2 class=\"font_2\"><span style=\"font-family:futura-lt-w01-book,sans-serif\"><span style=\"color:#FFFFFF\"><span style=\"font-weight:normal\">AN ARTREACH COMMISSION IN<br />\nPARTNERSHIP WITH THE UNIVERSITY OF<br />\nMANCHESTER AND FUNDED BY THE ARTS<br />\nAND HUMANITIES RESEARCH COUNCIL</span></span></span></h2>\n\n<h2 class=\"font_2\"><span style=\"font-family:futura-lt-w01-book,sans-serif\"><span style=\"color:#FFFFFF\"><span class=\"wixGuard\">​</span></span></span></h2>","stylesMapId":"CK_EDITOR_PARAGRAPH_STYLES","linkList":[]},"dataItem-k0pegey7":{"type":"StyledText","id":"dataItem-k0pegey7","metaData":{"isPreset":false,"schemaVersion":"1.0","isHidden":false},"text":"<p class=\"font_8\" style=\"font-size:16px\"><span style=\"font-family:futura-lt-w01-book,sans-serif\"><span style=\"font-size:16px\"><span style=\"font-style:italic;\">Fragments</span> shares the hidden voice of refugees in history and offers us the chance to reflect on their stories in relation to experiences today.</span></span></p>\n\n<p class=\"font_8\" style=\"font-size:16px\">&nbsp;</p>\n\n<p class=\"font_8\" style=\"font-size:16px\"><span style=\"font-family:futura-lt-w01-book,sans-serif\"><span style=\"font-size:16px\">This new work has been created in response to historical petitions, letters and personal correspondence from 1919 - 1975 found in archives around the world. The work offers a snapshot into the lives and personal experiences of refugees and deals with the frustration that, at this point in time, we are unable to find closure within these stories. Through exploring this archival material, the artist and researchers have been left with many unanswered questions that they would have liked to ask the refugees directly.</span></span></p>\n\n<p class=\"font_8\" style=\"font-size:16px\">&nbsp;</p>\n\n<p class=\"font_8\" style=\"font-size:16px\"><span style=\"font-family:futura-lt-w01-book,sans-serif\"><span style=\"font-size:16px\">&ldquo;In the end&rdquo; Mei Yuk Wong, the artist, said &ldquo;I have to admit that all these elements are only fragments. We won&rsquo;t be able to see the whole picture. The images and audio that visitors encounter are broken pieces&rdquo;.</span></span></p>\n\n<p class=\"font_8\" style=\"font-size:16px\">&nbsp;</p>\n\n<p class=\"font_8\" style=\"font-size:16px\"><span style=\"font-family:futura-lt-w01-book,sans-serif\"><span style=\"font-size:16px\">The fragmented nature of these stories is reflected in the installation through printed textiles embedded with transferred images from research and online materials including photographs of archives, letters, papers, notes, newspaper cuttings, and forms. The sound work which fills the space splinters this material further creating a multi-sensory environment. 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