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class=\"font_8\" style=\"font-size:21px\"><span style=\"font-family:georgia,palatino,book antiqua,palatino linotype,serif\"><span style=\"font-size:21px\"><span style=\"color:#FFFFFF\">There is something about the work of Jeremy Chambers, its gentle melancholy watchfulness, that grows inside the reader rather than knocking them over the head. No fireworks, no wordy dazzle: just the slow determined explication of damaged lives and thwarted hopes.&rsquo;&nbsp;Geordie Williamson,&nbsp;<span style=\"font-style:italic\">Review of Australian Fiction​</span></span></span></span></p>\n\n<p class=\"font_8\" style=\"font-size:21px\">&nbsp;</p>\n\n<p class=\"font_8\" style=\"font-size:21px\"><span style=\"font-family:georgia,palatino,book antiqua,palatino linotype,serif\"><span style=\"font-size:21px\"><span style=\"color:#FFFFFF\">&#39;an author not only in possession of an authentic feel for the ordinary but also blessed with a well-developed understanding of personal turmoil&rsquo;&nbsp;Eileen Battersby,<span style=\"font-style:italic\">&nbsp;Irish Times​</span></span></span></span></p>\n\n<p class=\"font_8\" style=\"font-size:21px\"><span style=\"font-family:georgia,palatino,book antiqua,palatino linotype,serif\"><span style=\"font-size:21px\"><span style=\"color:#FFFFFF\">​</span></span></span></p>\n\n<p class=\"font_8\" style=\"font-size:21px\"><span style=\"font-family:georgia,palatino,book antiqua,palatino linotype,serif\"><span style=\"font-size:21px\"><span style=\"color:#FFFFFF\">&#39;a truly miraculous writer&rsquo;&nbsp;Philippe Chevilley,&nbsp;<span style=\"font-style:italic\">Les Echos​</span></span></span></span></p>\n\n<p class=\"font_8\" style=\"font-size:21px\">&nbsp;</p>\n\n<p class=\"font_8\" style=\"font-size:21px\"><span style=\"font-family:georgia,palatino,book antiqua,palatino linotype,serif\"><span style=\"font-size:21px\"><span style=\"color:#FFFFFF\">&#39;Turning his back on the preoccupations of most of our current novelists, Chambers taps into several rich seams...Chambers&#39;s voice is distinctive and individual.&#39;&nbsp;Andrew&nbsp;Riemer,&nbsp;<span style=\"font-style:italic\">Sydney Morning Herald</span></span></span></span></p>\n\n<p class=\"font_8\" style=\"font-size:21px\"><span style=\"font-family:georgia,palatino,book antiqua,palatino linotype,serif\"><span style=\"font-size:21px\"><span style=\"color:#FFFFFF\">​</span></span></span></p>\n\n<p class=\"font_8\" style=\"font-size:21px\"><span style=\"font-family:georgia,palatino,book antiqua,palatino linotype,serif\"><span style=\"font-size:21px\"><span style=\"color:#FFFFFF\">&lsquo;There&rsquo;s a lyricism in the language and a depth to the emotions laid bare here that&rsquo;s utterly irresistible.&#39;&nbsp;Diane Stubbings,&nbsp;<span style=\"font-style:italic\">Canberra Times​</span></span></span></span></p>\n\n<p class=\"font_8\" style=\"font-size:21px\"><span style=\"font-family:georgia,palatino,book antiqua,palatino linotype,serif\"><span style=\"font-size:21px\"><span style=\"color:#FFFFFF\">​</span></span></span></p>\n\n<p class=\"font_8\" style=\"font-size:21px\"><span style=\"font-family:georgia,palatino,book antiqua,palatino linotype,serif\"><span style=\"font-size:21px\"><span style=\"color:#FFFFFF\">&#39;Chambers plays with the density of things left unsaid, with awkwardness and silence, as one would an musical instrument: without sadness, but with a hint of elegy.&#39;&nbsp;Liliane Kerjan,<span style=\"font-style:italic\">&nbsp;La Quinzaine Litt&eacute;raire</span></span></span></span></p>\n\n<p class=\"font_8\" style=\"font-size:21px\"><span style=\"font-family:georgia,palatino,book antiqua,palatino linotype,serif\"><span style=\"font-size:21px\"><span style=\"color:#FFFFFF\">​</span></span></span></p>\n\n<p class=\"font_8\" style=\"font-size:21px\"><span style=\"font-family:georgia,palatino,book antiqua,palatino linotype,serif\"><span style=\"font-size:21px\"><span style=\"color:#FFFFFF\">&#39;Chambers writes very powerfully about the sadness of memory&rsquo;&nbsp;Kate Saunders,</span></span></span></p>\n\n<p class=\"font_8\" style=\"font-size:21px\"><span style=\"font-family:georgia,palatino,book antiqua,palatino linotype,serif\"><span style=\"font-style:italic\"><span style=\"font-size:21px\"><span style=\"color:#FFFFFF\">The&nbsp;Times</span></span></span></span></p>\n\n<p class=\"font_8\" style=\"font-size:21px\"><span style=\"font-family:georgia,palatino,book antiqua,palatino linotype,serif\"><span style=\"font-size:21px\"><span style=\"color:#FFFFFF\">​</span></span></span></p>\n\n<p class=\"font_8\" style=\"font-size:21px\"><span style=\"font-family:georgia,palatino,book antiqua,palatino linotype,serif\"><span style=\"font-size:21px\"><span style=\"color:#FFFFFF\">&lsquo;Jeremy Chambers writes&nbsp;with a parched, tight prose. 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